AUC Philologica (Acta Universitatis Carolinae Philologica) je akademický časopis publikující jak lingvistické, tak literárně historické a teoretické studie. Nedílnou součástí časopisu jsou i recenze odborných knih a zprávy z akademického prostředí.
Časopis je indexován v databázích CEEOL, DOAJ, EBSCO a ERIH PLUS.
AUC PHILOLOGICA, Vol 2018 No 4 (2018), 9–33
European influence of Dutch and Flemish art. Cultural mobility
Ludo Beheydt
DOI: https://doi.org/10.14712/24646830.2018.50
zveřejněno: 22. 03. 2019
Abstract
The future for European interdisciplinary culture studies lies in the recognition of the dynamics in European culture. If European citizens are to identify with Europe, a familiar European culture has to be offered to them. That familiarity will not be found in a national history or national culture studied in isolation, nor will it be found in European history or culture. Europe does not have a common cultural identity, a shared web of significance. A way out of this dilemma is conceiving European culture as the result of a continuous cross-pollination. Such a view is presented here in an exemplary approach to art, looking at Flemish and Dutch art as a meeting point of cultural influences.
klíčová slova: European culture; cultural mobility; cultural identity; Flemish and Dutch art
reference (17)
1. AINSWORTH, MARYAN W. (ed.) (2010). Man, Myth, and Sensual Pleasures: Jan Gossartʼs Renaissance: The Complete Works. New York: Yale University Press.
2. BARKER, MARY CHRISTINE (2010). 'Transcending tradition: Rembrandt's Death of a Virgin 1639: A Re-Vision.' Dutch Crossing 34:2, pp. 138–161. CrossRef
3. Beheydt, LUDO (2002). Eén en toch apart. Kunst en cultuur van de Nederlanden. Leuven: Davidsfonds.
4. Beheydt, LUDO (2015). 'Een semiotische interpretatie van het werk van de Vlaamse Primitieven tegen de achtergrond van de Bourgondische cultuur'. In: Jana Engelbrechtová (ed.): De Nederlandstalige cultuur internationaal. Centraal-Europa en de Lage Landen.Olomouc: Universita Palackého v Olomouci. 3–37.
5. Brown, CHRISTOPHER (2002). The Dutchness of Dutch Art. Amsterdam: Amsterdams Centrum voor de Studie van de Gouden Eeuw, Universiteit van Amsterdam.
6. Burke, PETER (2009). Cultural hybridity. Cambridge: Polity Press.
7. Dacos, NICOLE (1995). 'Om te zien en te leren'. In: H. Devisscher (ed.) Fiamminghi a Roma 1508–1608. Brussel PSK: Snoeck-Ducaju & Zoon, pp.14–31.
8. Greenblatt, STEPHEN (ed.) (2010). Cultural Mobility: A Manifesto. New York: Cambridge University Press.
9. GROOT, CORNELIS W. DE (1952). Jan Steen: beeld en woord. Utrecht: Dekker & Van de Vegt.
10. Hoogewerff, G. J. (1947). De Noord-Nederlandsche schilderkunst. ʼs-Gravenhage: Martinus Nijhoff.
11. JUDSON, JAY R. J. (1959). Gerrit van Honthorst: A Discussion of his Position in Dutch Art. Reprinted Springer (1961).
12. Kemperdick, STEPHAN (1999). Rogier van der Weyden. Köln: Konemann.
13. LANDAU, DAVID & PETER W. PARSHALL (1994). The Renaissance print: 1470–1550. Yale University Press.
14. MANDER, KAREL VAN (1604). Schilder-boeck The Lives of the Illustrious Netherlandish and German Painters. Translated and edited by Hessel Miedema. Doornspijk: DAVACO (1994).
15. Nuttall, PAULA (2004). From Flanders to Florence. The Impact of Netherlandish Painting, 1400–1500. New Haven and London: Yale University Press.
16. Polakovičová, EVA (2007). Alfons Mucha en het Slavische Epos. Kunst als expressie van de nationale en culturele identiteit. Masterscriptie Universiteit Leiden: Leiden.
17. STECHOW, WOLFGANG (1972). 'Jan Steen's Representations of the Marriage in Cana'. Nederlands Kunsthistorisch Jaarboek 23 (1), pp. 73–83. CrossRef
European influence of Dutch and Flemish art. Cultural mobility is licensed under a Creative Commons Attribution 4.0 International License.
230 x 157 mm
vychází: 3 x ročně
cena tištěného čísla: 150 Kč
ISSN: 0567-8269
E-ISSN: 2464-6830
