AUC PHILOLOGICA

AUC PHILOLOGICA

AUC Philologica (Acta Universitatis Carolinae Philologica) je akademický časopis publikující jak lingvistické, tak literárně historické a teoretické studie. Nedílnou součástí časopisu jsou i recenze odborných knih a zprávy z akademického prostředí.

Časopis je indexován v databázích CEEOL, DOAJ, EBSCO a ERIH PLUS.

AUC PHILOLOGICA, Vol 2020 No 2 (2020), 69–83

The Good Neighbours: Words and Images in the Ms. 3368 of the Sainte Geneviève Library in Paris

[The Good Neighbours: Words and Images in the Ms. 3368 of the Sainte Geneviève Library in Paris]

Andrea Torre

DOI: https://doi.org/10.14712/24646830.2020.30
zveřejněno: 03. 12. 2020

Abstract

The essay aims to explore some historical-conceptual junctures of the Early Modern literary culture, starting from the perspective of the meeting and interaction between words and images in the physical space of a manuscript and in the conceptual space of a mnemotechnical treatise. Therefore the article describes a richly illustrated manuscript of the Parisian library of Sainte-Geneviève (ms. 3368), which contains an Italian treatise on the art of memory from the mid-15th century. The semiotic, rhetorical and cultural strategies mobilized by the physical co-presence of a text and its figurative translation represent in fact the core of every mnemonic process. The illustrations visualize the result of the associative process that enables remembrance, whilst the text follows and breaks down the process in a linear way, normally mentioning the res memorandae and then the image that has to be visualized in the mind.

Klíčová slova: illustrated manuscript; art of memory; words and images interaction; Italian rhetoric

reference (27)

1. Antoine, J.-Ph., 1982. 'Ancora sulle virtù: la nuova iconografia e le immagini di memoria'. Prospettiva 30, 13-29.

2. Antoine, J.-Ph., 2002. Six rhapsodies froides sur le lieu, l'image et le souvenir. Paris: Déesclée de Brouwer.

3. Assmann, A., 2002. Ricordare. Forme e mutamenti della memoria culturale. Bologna: Il Mulino.

4. Berns, J. J., 2003. Gedächtnislehren und Gedächtniskunst in Antike und Frühmittelalter. Tübingen: Max Niemeyer Verlag. CrossRef

5. Bolzoni, L., 2001. The Gallery of Memory. Literary and Iconographic Models in the Age of the Printing Press. Toronto: University of Toronto Press. CrossRef

6. Bolzoni, L., 2004. The Web of Images. Vernacular Preaching from Its Origin to Saint Bernardino of Siena. London: Ashgate.

7. Busse Berger, A. M., Rossi, M. (eds.), 2009. Memory and Invention. Medieval and renaissance Literature, Art and Music. Firenze: Olschki.

8. Camillo Delminio, G., 1580. Discorso sopra Hermogene. Venezia: Giolito.

9. Carpo, M., 1998. L'architettura dell'età della stampa. Milano: Jaca Book.

10. Carruthers, M., 1990. The Book of Memory. A Study of Memory in Medieval Culture. Cambridge: Cambridge University Press.

11. Carruthers, M., 1998. The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400-1200. Cambridge: Cambridge University Press.

12. Carruthers, M. (ed.), 2010. Rhetoric Beyond Words. Delight and Persuasion in the Arts of the Middle Ages. Cambridge: Cambridge University Press.

13. Coleman, J., 1992. Ancient and Medieval Memories. Studies in the Reconstruction of the Past. Cambridge: Cambridge University Press. CrossRef

14. De la Flor, F. R., 1988. Teatro de la memoria: siete ensayos sobre mnemotecnica española de los siglos XVII y XVIII. Salamanca: Junta de Castilla y Leon.

15. Di Lorenzo, R. D., 1973. 'The collection form and the art of memory in the Libellus super ludo schacorum of Jacobus de Cessolis'. Mediaeval Studies 35, 205-221. CrossRef

16. Dolce, L., 2001. Dialogo del modo di accrescer e conservar la memoria. Ed. by Andrea Torre. Pisa: Edizioni della Normale.

17. Draaisma, D., 2000. Metaphors of Memory. A History of Ideas about the Mind. Cambridge: Cambridge University Press.

18. Fludd, R., 1619. Supernaturali, naturali, praenaturali et contranaturali Microcosmi Historia. Oppenheim: Hyeronimi Galleri.

19. Kuwakino, K., 2011. L'architetto sapiente: giardino, teatro, città come schemi mnemonici tra il XVI e il XVII secolo. Firenze: Olschki.

20. Merino Jerez, L., 2007. Retorica y artes de memoria en el Humanismo renacentista. Càceres: Universidad de Extremadura.

21. Murgia, G., 2013. '«De scacherio»: percorsi allegorici nel Libellus de moribus hominum di Iacopo da Cessole'. Rhesis: International Journal of Linguistics, Philology and Literature 4.2, 211-250.

22. Orwell, G., 1949. Nineteen Eighty-Four. London: Secker and Warburg.

23. Pich, F., Torre, A. (eds.), 2017. Di l'artifitial memoria. Ms. 3368 Bibliothèque Sainte-Geneviève di Parigi. Napoli: La stanza delle scritture.

24. Rossi, P., 1983. Clavis universalis. Arti della memoria e logica combinatoria da Lullo a Leibniz. Bologna: Il Mulino.

25. Seelbach, S., 2017. 'L'ars memoriae in volgare: il ruolo di Jacopo Ragone'. In: F. Pich, A. Torre (eds.), Di l'artifitial memoria. Ms. 3368 Bibliothèque Sainte-Geneviève di Parigi. Napoli: La stanza delle scritture, 167-182.

26. Yates, F. A., 1966. The Art of Memory. London: Routledge / Kegan Paul.

27. Yates, F. A., 1969. Theatre of the World. London: Routledge / Kegan Paul.

Creative Commons License
The Good Neighbours: Words and Images in the Ms. 3368 of the Sainte Geneviève Library in Paris is licensed under a Creative Commons Attribution 4.0 International License.


vychází: 4 x ročně
cena tištěného čísla: 150 Kč
ISSN: 0567-8269
E-ISSN: 2464-6830

Ke stažení