AUC Philosophica et Historica je víceoborový akademický časopis zaměřený na humanitní a společenskovědné obory (filozofie, psychologie, pedagogika, sociologie, obecné, české a hospodářské dějiny, pomocné vědy historické a archivnictví, etnologie).
Časopis je indexován v databázích CEEOL, DOAJ a EBSCO.
AUC PHILOSOPHICA ET HISTORICA, Vol 2019 No 2 (2019), 149–161
Homosexualita a staré umění: poznámky k interpretaci mužských renesančních portrétů
[Homosexuality and Old Art: Notes to Interpretation of Male Portraits of Renaissance]
Liubov Marsova
DOI: https://doi.org/10.14712/24647055.2020.7
zveřejněno: 14. 09. 2020
Abstract
The paper is concerned with the problematic of one of the aspects of the perception of the male portrait of the Renaissance. The article is a separate chapter of the master’s thesis devoted to the male portrait of friends in Italian Renaissance painting. The contemporary (current) viewer can perceive old masters portraits rather ambiguously, including as images of homosexuals. However, for such statements is necessary to realize very confidently what exactly “homosexuality” means and whether such a concept existed in the past. In addition, it is necessary to have as much knowledge as possible about the most varied aspects of the period under study, while always be aware that our knowledge is very mediocre and limited. The author critically analyzes the studies, in which the problem of the representation of homosexuality in old art is touched upon, and tries to identify methodological warnings for further interpretations. In conclusion, the author proposes new open discourses for future research in this field, encourages researchers to take a fresh look at not only the portraits of the Renaissance, but also at their own interpretations.
klíčová slova: Portraits; Renaissance; homosexuality; Italy; art history; paintings; sexuality; Foucault; Giorgione; Pontormo; Titian; Raphael; Renaissance poetry; interpretation
reference (29)
1. Leon Battista Alberti, Knigi o semje, Moskva 2008. CrossRef
2. Jaynie Anderson, The Giorgionesque portrait II: Representations of homosociality, or the importance of friendship, in Renaissance Venice, in: Sylvia Ferino-Pagden (ed.), Giorgione entmythisiert, Turnhout 2008. CrossRef
3. Roland Barthes, Smrt autora, Aluze X, 2006, č. 3.
4. Benvenuto Cellini, Žizň Benvenuto Cellini, Moskva, 1958.
5. Antonio Corsaro, Appunti sull'autoritratto comico fra Burchiello e Michelangelo, in: Aldo Galli - Chiara Piccinini - Massimiliano Rossi (edd.) Il ritratto nell'Europa del Cinquecento, Firenze 2007.
6. Whitney Davis, Queer beauty: Sexuality and aesthetics from Winckelmann to Freud and beyond, New York 2010. CrossRef
7. Mechthild Fend - Marianne Koos (edd.), Mänlichkeit im Blick: Visuelle Inszenierungen in der Kunst seit der Frühen Neuzeit, Köln 2004.
8. Marsilio Ficino - Nina Revjakina (ed.), Kommentarij na Pir Platona, in: Vasilij Zubov (ed.) Istorija estetiky. Pamjatniki mirovoj estetičeskoj mysli. Moskva, 1962. - Český překlad se zatím připravuje: https:// www.kosmas.cz/knihy/122240/o-lasce-de-amore, vyhledáno 28. 7. 2017.
9. Marsilio Ficino, Sopra Lo Amore ovvero Convito Di Platone, 1914: https://archive.org/details/MarsilioFicinoSopraLoAmoreovveroConvitoDiPlatoneCarabbaEditore1914, vyhledáno 28. 7. 2017.
10. Jennifer Fletcher, Harpies, Venus and Giovanni Bellini's classical mirror: Some fifteenth century Venetian painters responses to the antique, in: Gustavo Traversari (ed.), Congresso Internazionale Venezia e l'Archeologia, Roma 1990.
11. Michel Foucault, Volja k istině: po tu storonu znanija, vlasti i seksuaľnosti, Moskva 1996. - České vydání: Michel Foucault, Dějiny sexuality I, Vůle k vědění, Praha 1999.
12. Michel Foucault, "Qu'est-ce qu'un auteur?" (1969), Paris 1994.
13. Sigmund Freud, Vzpomínka z dětství Leonarda da Vinci [Eine Kindheitserinnerung des Leonardo da Vinci (1910)], Praha 1991.
14. Domenico di Giovanni detto il Burchiello - Antonio Lanza (ed.), Le poesie autentiche di Domenico di Giovanni detto il Burchiello, Roma 2011.
15. Jeanette Kohl - Marianne Koos - Adrian W. B. Randolph (edd.), Renaissance love: Eros, passion, and friendship in Italian art around 1500, Berlin - München 2014.
16. Jacques Lacan, Seminary, kniga XI (1964), Četyre osnovnyje ponjatija psychoanaliza, Moskva 2004.
17. Armando Maggi, On Kissing and Sighing, in: Beert C. Verstraete - Vernon Provencal (edd.), Same-sex desire and love in Greco-Roman antiquity and in the classical tradition of the, Journal of Homosexuality XLIX, 2005, č. 3-4.
18. Liubov Marsova, Přátelské portréty v italském renesančním malířství (diplomová práce), Ústav pro dějiny umění FF UK v Praze, Praha 2017.
19. Ulrich Pfisterer, Lysippus und seine Freunde: Liebesgaben und Gedächtnis im Rom der Renaissance, oder, Das erste Jahrhundert der Medaille, Berlin 2008. CrossRef
20. Guy Poirier, L'homosexualité dans l'imaginaire de la Renaissance, Paris 1996.
21. Martin C. Putna et al., Homosexualita v dějinách české kultury, Praha 2013.
22. Christopher Reed, Art and homosexuality: A history of ideas, New York - Oxford 2011.
23. Ágnes Ritoók-Szalay, Andrea Mantegna e Giano Pannonio, in: Peter Farbaky - Louis A. Waldman (edd.), Italy & Hungary, humanism and the art in the early Renaissance, Milano 2011.
24. James M. Saslow, Ganymede in the Renaissance: Homosexuality in art and society, New Haven - London 1986.
25. John K. G. Shearman, Only connect: Art and the spectator in the Italian Renaissance, Princeton 1992. CrossRef
26. Patricia Simons, Women in frames: The gaze, the eye, the profile in Renaissance portraiture, in: Norma Broude - Mary D. Garrard (edd.), The expanding discourse, Boulder 1992. - eadem, Homosociality and erotics in Italian Renaissance portraiture, in: Joanna Woodall (ed.) Portraiture, Manchester 1997.
27. Alan K. Smith, Fraudomy: reading sexuality and politics in Burchiello, in: Jonathan Goldberg (ed.), Queering the Renaissance, Durham 1994. CrossRef
28. Giorgio Vasari, Žizněopisanija naibolee znamenitych živopistcev, vajatelej i zodčich, polnoje izdanije v odnom tomě, Moskva 2008.
29. Joanna Woodall (ed.), Portraiture, Manchester 1997.
Homosexualita a staré umění: poznámky k interpretaci mužských renesančních portrétů is licensed under a Creative Commons Attribution 4.0 International License.
