Právněhistorické studie / Legal History Studies (Charles University journal; below referred to as PHS or Journal) is a scientific journal listed in the international prestigious database SCOPUS. The journal is published by Charles University in Prague under the guarantee of the Department of Legal History of the Faculty of Law of Charles University. It is published by the Karolinum Press. The journal focuses on the field of legal history and related topics.
Issue 1 of the Journal was published by the Czechoslovak Academy of Sciences Publishing in June 1955. The Journal was initially published by the Cabinet of Legal History of the Czechoslovak Academy of Science (CSAV), later by the Institute of State and Law (CSAV) and then by the Institute of Legal History of the Faculty of Law of Charles University.
PHS is issued three times a year in April, August, and December and it presents original scientific works/papers as well as reviews, annotations and news from the scientific field of legal history. It also introduces annotated texts of a legal history nature. PHS accepts manuscripts from domestic as well as foreign authors. Manuscripts submitted by foreign authors are published in original language, namely in English, Slovak, German, French, Italian or Polish.
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PRÁVNĚHISTORICKÉ STUDIE, Vol 51 No 2 (2021), 11–26
Vznik florentských renesančních památek z pohledu práva
[The Origin of Florentine Renaissance Artworks from a Legal Perspective]
Terezie Pilarová
DOI: https://doi.org/10.14712/2464689X.2021.16
published online: 10. 08. 2021
abstract
This paper deals with the legal side of the genesis of Florentine Renaissance artworks from the 14th to 16th centuries. The content falls into three blocks. Firstly, attention is focused on the legal nature of renaissance contracts which were essential for the origin of artworks, and the basic principles of these contracts. The second part describes the workings of the renaissance artistic competition, focusing on the congruency of some of its aspects with modern tendering processes. The pivotal third part examines the contracts themselves, their form and content. The analysis is determined by its legal focus, endeavouring, in the first place, to disprove the usual mistaken interpretation of these contracts as one-sided and provide a firmer structure to avoid the common haphazard manner of describing their content.
keywords: Renaissance; law; legal history; locatio conductio; Florence; work of art; artistic competition
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Vznik florentských renesančních památek z pohledu práva is licensed under a Creative Commons Attribution 4.0 International License.
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ISSN: 0079-4929
E-ISSN: 2464-689X
