Central European Journal for Contemporary Religion is a scholarly journal published both by the Hussite Theological Faculty of the Charles University and Karolinum Publishers, which aims to serve as a publication platform for Comparative Religion and related disciplines. It focuses mainly on contemporary religious phenomena with special (but not exclusive) focus on Central and Eastern Europe. It should serve both as a source of information on te religious life in the region and as a supply of scholarly studies focused on contemporary lived religion at large. It is published semi-annually both in print and online (free access). Its goal is to bring thought-provoking contributions related not only to current established religions and religious movements new and old, but also to contemporary spirituality in its wider context, including the New Age milieu, Neopaganism and pop-cultural spirituality. The journal also covers the latest theoretical and methodological trends in Comparative Religion, Ritual Studies and other disciplines. The editorial board consists of scholars from most Czech Comparative Religion departments, as well as experts on the most important religious traditions across the globe.
CENTRAL EUROPEAN JOURNAL FOR CONTEMPORARY RELIGION, Vol 4 No 2 (2020), 5–34
Czech Underground from a Musical Historical Point of View
Aleš Opekar
DOI: https://doi.org/10.14712/25704893.2022.2
zveřejněno: 28. 11. 2022
Abstract
The first part of the article summarises and comments on the literature on the Czech music underground. It proves that professional research of the phenomenon was previously carried out by foreign authors, whose focus was mainly on the social and political contexts in Eastern Europe. Memoirs and published interviews predominated in the domestic reflection of the phenomenon. Theoretical studies, including monographic treatises, appear only on an ongoing basis. However, the underground is still more in the field of view of historians than musicologists. This article also traces the changes in understanding the “underground” category in the Czech environment. It leads to defining it compared to the “alternative scene” and “grey zone” categories, which gradually gained a specific significance in Czech public awareness in the 1970s and 1980s. The second part of the article places the Czech musical underground in the context of the general development of rock and popular music in Czechoslovakia in the 1970s and 1980s.
klíčová slova: underground; alternative scene; grey zone; rock; Czech music; normalisation; music literature
Czech Underground from a Musical Historical Point of View is licensed under a Creative Commons Attribution 4.0 International License.
157 x 230 mm
vychází: 2 x ročně
cena tištěného čísla: 180 Kč
ISSN: 2533-7955
E-ISSN: 2570-4893
