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Why I Write?

Why I Write?

Hrabal, Bohumil

subjects: fiction
series: Modern Czech Classics

hardcover, 520 pp., 1. edition
translation: Short, David
published: november 2019
ISBN: 978-80-246-4268-0
recommended price: 490 czk

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summary

This collection of the earliest prose by one of literature’s greatest stylists captures, as scholar Arnault Maréchal put it, “the moment when Hrabal discovered the magic of writing.”
Taken from the period when Bohumil Hrabal shifted his focus from poetry to prose, these stories—many written in school notebooks, typed and read aloud to friends, or published in samizdat—often showcase raw experiments in style that would define his later works. Others intriguingly utilize forms the author would never pursue again. Featuring the first appearance of key figures from Hrabal’s later writings, such as his real-life Uncle Pepin, who would become a character in his later fiction and is credited here as a coauthor of one piece, the book also contains stories that Hrabal would go on to cannibalize for some of his most famous novels. All together, Why I Write? offers readers the chance to explore this liminal phase of Hrabal’s writing. Expertly interpreted by award-winning Hrabal translator David Short, this collection comprises some of the last remaining prose works by Hrabal to be translated into English. A treasure trove for Hrabal devotees, Why I Write? allows us to see clearly why this great prose master was, as described by Czech writer and publisher Josef Škvorecký, “fundamentally a lyrical poet.”

reviews

Some people speak like writers, but the Czech author Bohumil Hrabal writes like a talker.

- Becca Rothfeld (The New Yorker)

Many of the stories employ second-person narration, addressing the reader as “you,” instead of the more common first- or third-person perspectives, and most often the prose is dense, without conventional paragraphing or punctuation, with sentences flowing over pages. The tone throughout is dark comedy, exploring human absurdity and carnality amid a universe that is at best senseless, if not malevolent.

- Kirkus Review

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