AUC INTERPRETATIONES, Vol 1 No 2 (2011), 127–139
Blow up: le puzzle sémiotique
Michaela Fišerová
zveřejněno: 13. 01. 2015
Abstract
The article focuses on the semiotic problem of our interpretation expectances of photographic image as evidence of crime, as it appeared in Antonioni’s film Blow up. The analysis will consist in a semiotic discernment of our interpretation expectances in the case of the photograph as a fixed image based on a print (Didi-Huberman, Frazer), and in the case of the film as an image-motion based on a photograph (Deleuze, Bergson). The proposed solution consists in a final connection of these two different analyses, according to Peirce’s theory of unlimited semiosis.
Blow up: le puzzle sémiotique is licensed under a Creative Commons Attribution 4.0 International License.
148 x 210 mm
vychází: 2 x ročně
cena tištěného čísla: 180 Kč
ISSN: 1804-624X
E-ISSN: 2464-6504